Who am I.. that you have brought me thus far?

Cubist Self-Portrait (1923) by Salvador Dali
from “Who Understands Me But Me?” by Jimmy Santiago Baca
…
Who am I.. that you have brought me thus far?

Cubist Self-Portrait (1923) by Salvador Dali
from “Who Understands Me But Me?” by Jimmy Santiago Baca
…
“I have been with you wherever you went”

“Hotel Room” (1931) by Edward Hopper
from “Bible Study” by Tony Hoagland
I was on the road for so long by myself,
I took to reading motel Bibles just for company.
Lying on the chintz bedspread before going to sleep,
still feeling the motion of the car inside my body,
I thought some wrongness in my self had made me that alone.
And God said, You are worth more to me
than one hundred sparrows.
And when I read that, I wept.
And God said, Whom have I blessed more than I have blessed you?
And I looked at the mini bar
and the bad abstract hotel art on the wall
and the dark TV set watching like a deacon.
And God said, Survive. And carry my perfume among the perishing.
Do not be afraid. Here’s what to do: Speak truth, do justice, make peace. Stop making life hard for each other….
“Good Bones” by Maggie Smith
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,

“Tous les visages des enfants à un spectacle de marionnettes au moment où le dragon est tué” by Alfred Eisenstaedt
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
the rock and the river…
from “The Rock Cries Out to Us Today” by Maya Angelou
…
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.

“The Incandescent Sun” by Elliott Daingerfield
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
…
On that day the deaf shall hear
the words of a scroll,
and out of their gloom and darkness
the eyes of the blind shall see. – Isaiah 29:18

“Dark Sea” by Dave Anderson http://clampart.com/2012/04/dark-sea/dark-sea/
from “Song for the Last Act” by Louise Bogan
…
Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music’s cage,
Whose emblems mix with words that shake and bleed.
The staves are shuttled over with a stark
Unprinted silence. In a double dream
I must spell out the storm, the running stream.
The beat’s too swift. The notes shift in the dark.
Now that I have your voice by heart, I read.
Now that I have your heart by heart, I see
The wharves with their great ships and architraves;
The rigging and the cargo and the slaves
On a strange beach under a broken sky.
O not departure, but a voyage done!
The bales stand on the stone; the anchor weeps
Its red rust downward, and the long vine creeps
Beside the salt herb, in the lengthening sun.
Now that I have your heart by heart, I see.
“The desert shall rejoice and blossom”

“Haiti – Beyond the Ruins: Cathedral” by Bryn Gillette
“Talk no more so very proudly”

“The Potato Eaters” by Vincent Van Gogh
No one can celebrate
a genuine Christmas
without being truly poor.
The self-sufficient, the proud,
those who, because they have
everything, look down on others,
those who have no need
even of God- for them there
will be no Christmas.
Only the poor, the hungry,
those who need someone
to come on their behalf,
will have that someone.
That someone is God.
Emmanuel. God-with-us.
Without poverty of spirit
there can be no abundance of God
– Oscar Romeo
“we wait for new heavens and a new earth, where righteousness is at home…”
from “One Today” by Richard Blanco
…
One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always—home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country—all of us—
facing the stars
hope—a new constellation
waiting for us to map it,
waiting for us to name it—together.

Untitled by Gavin Jantjes
not slow, but making space for all to change…

“Movement in Kind” by Matthew Whitney
from “A Change of Maps” by Carolyne Wright
…
Above us, satellites measure the drift
of continents, dissolving vows
of bedrock, offshore shelves conceding
all their striations to the sea.
They track the moon’s loosening orbit,
explorer shuttle homing in
with batteries of data, micro-
chips shrinking our wildest dreams.
We roll up the old cartographies
coordinates overlaid with newer,
more transparent certainties
in the subatomic shadows’ glare.
Where now? we want to know of landscape –
houses and poplars and children the maps
and master planners have no idea of.
Our arrival will coincide with the true
colors of our going. We look
both ways for distances that shift
their bearings in our favor.
“out of the abundance of the heart the mouth speaks”

stone sculpture by Hirotoshi Ito
from “The Words Under the Words” by Naomi Shihab Nye